Known for dazzling talent and spirited performances, Ivonne Hernandez is a bright spark in the fascinating world of fiddle music.

By David Lennam


At 36, Ivonne Hernandez has already had a lifetime’s worth of performing experience, yet it seems she’s only now tapping into her great potential as a fiddler.

The native Victorian is five-time North American Fiddle Champion, a Juno winner, teacher, performer, experimentalist, really great stepdancer, and one-time child prodigy (we’ll get to that in a minute).

While she doesn’t have David Foster’s mainstream appeal, Hernandez is one of Victoria’s most acclaimed musicians. It’s just that her folk/roots niche doesn’t carry the commercial clout of pop so she remains, outside her professional circle, a bit of a well-kept secret.

“No, no, people do recognize me,” she tells me, laughing, “but I’m super oblivious and super shy. They’ll ask me, ‘Are you that fiddle girl?’ and that happens quite a bit, especially when I’m with other musician friends, which is quite often. [My friends] laugh and make fun of me because they know how shy and embarrassed I am about it.”

Such is the lot of a one-time child prodigy whose remarkable skill, fiddle tucked under chin, hasn’t diminished since she first bowed a tiny version of the instrument at age three.

“It was about the size of a Christmas tree decoration,” Hernandez recalls, revealing her first stage was underneath a hanging fern in the corner of the living room of the Westshore duplex she grew up in.

“I’d stand under the fern, and that was my concert stage.”

The music her parents were listening to filled the room: folk, classical and traditional South American tunes. Dad grew up in Chile but fled during the military coup of the 1970s. He was playing in a Latin band when he met Ivonne’s mother — his band was hired by her for a Spanish Club party at McMaster University.

When she was five, Hernandez spied a poster for a fiddle contest at the Saanich Fair.

“My mum was trying to deter me from it and she’s like, ‘You don’t play fiddle, you play classical violin.’”

A neighbour from Cape Breton loaned them a Don Messer tape, and that was it.

“There were only two other competitors and they were both adult men. I remember climbing up these huge stairs and playing ‘Turkey in the Straw’ and I was hooked. I really took to it, and it was super fun for me.”

“She Digs Right In”

As a pre-teen, Hernandez played with Daniel Lapp’s BC Fiddle Orchestra (BCFO) in front of 60,000 people at the opening ceremonies of Victoria’s Commonwealth Games. At 13, she was the youngest member of the Greater Victoria Youth Orchestra and formed the band Fiddlemania with her younger sister Kalissa (who now plays with Vancouver band The Paperboys). She was the Merritt Old Time Fiddlers’ provincial champion two years running and was asked to start judging the event at 15.

Topping it off are 11 of her own albums (solo and with bands she’s started), her work as a session player on a couple of dozen more by other artists, and gigs with artists as diverse as U2’s The Edge, Steve Winwood, Earth, Wind and Fire, Alan Jackson and even Burt Bacharach.

“I met her when she was four at the Luxton Fair,” says Lapp. “She and her mom came up and introduced themselves to me. She struck me as particularly focused and personable for such a kid and seemed to have already fallen in love with the violin and fiddle music.”

Lapp talks about Hernandez’ discipline, motivation and ambition.

“She knows that you need to work hard and practice and has never shied away from that. She digs right in.”

Two Coasts and a Coastline

Like most homegrown talent grown too big to be kept at home, Hernandez had to leave. She won a scholarship to Boston’s prestigious Berklee College of Music and graduated top of her class, but not before starting two Celtic bands with a difference, Folk Arts Quartet and the Juno-winning The Fretless, a string quartet that Hernandez says “… looks like a string quartet, but played fiddle music instead of Mozart.”

She stayed with them for five years and three albums before leaving Boston to return home to … well, start another group. This time, Coastline, a string ensemble (fiddles, cellos, guitars, piano) of 14 to 23-year-olds who, like Dan Lapp’s BCFO, is the entry point for the super talented.

Hernandez had craved something like the BCFO when she was a kid, something, she says, where she could play with other people her age and get challenged and have fun, “and that’s what these kids were asking of me.”

Lapp says he’s really proud of her and her mentorship and teaching.

“And I’m glad that she came home too. It’s hard out there, and this is a good place to be based from.”

Fiddling and Canada’s Fabric

Now working on a new album of her own material while exploring new forms, like bluegrass and jazz, Hernandez has put together Victoria Trad Weekend, February 15 to 16, where she and Coastline will perform.

It’s two days of concerts and workshops at Esquimalt United Church, featuring renowned guest fiddlers Calvin Vollrath, Shane Cook and Troy MacGillivray.

And in a country where fiddling is part of the national fabric (so many of us grew up watching Don Messer and Al Cherney on The Tommy Hunter Show after Hockey Night in Canada), Hernandez and her music are part of the tapestry.

This article is from the January/February 2019 issue of YAM.